American Museum of Natural History, Avengers, Avengers: Endgame, Gender Issues, Scarlett Johannson
This is the third part of a three part series of posts on Avengers: Endgame. Check out part one here and part two here.
Endgame’s use of time infuses a humanity that bolsters the emotional stakes of the story, at least the parts that feature Captain America, Iron Man, Thor and the Hulk. The other members of the original team are less fortunate. Scarlett Johannson’s Black Widow and Jeremy Renner’s Hawkeye are present in the film and have arcs of their own, but the absence of a meaningful history in the prior films make their journeys feel slightly less significant. The Hulk plays a much smaller role in the story, but his status as a pop culture icon (and the mythic quality of the Hulk concept) makes it easier to use narrative shorthand in stories in which he is featured. Most of those who watched Endgame have probably never opened an issue of the Incredible Hulk, but it’s likely that they know that he is an embodiment of the rage and frustration of a superficially mild-mannered man and can appreciate the significance of a mild mannered Hulk. It’s hard to imagine that many non-comics fans are familiar enough with Black Widow or Hawkeye for the changes to either character to have had much of an emotional impact.
Renner’s Hawkeye is a cipher who becomes a murderous vigilante when his family vanishes from existence and fights for redemption after a confrontation with Johannson’s Black Widow. Widow is a more enigmatic figure whose development prior to Endgame consisted of a series of asides, hints and suggestions during the first three Avengers films. We know that she is haunted by her past as an assassin and is seeking redemption. We know that she had a quasi-romantic relationship with Bruce Banner. The stories behind both – stories that could have made her a more compelling character to audiences – were left untold. Widow has become the de facto leader of what remains of the Avengers during the five year gap, but the absence of Captain America and Iron Man suggest that she is the leader by default. We’ve seen Widow serve as an able tactical field leader in the last three Avengers films (as well as the last two Captain America films), but this is the first time that she’s in charge. The leader that we see in Endgame is incredibly competent and dependable but not in the cool or compelling way that Captain America or Iron Man were in earlier films. Once the team reunites to battle Thanos and reverse the damage he caused in Infinity War, Widow mostly fades into the background until it’s time for her to sacrifice herself for her friend the cipher. It was a moment that was somehow both expected and shocking, and a reminder of both her lack of development in the franchise and the shortcomings of the Marvel Cinematic Universe (MCU) to date. It was also a reminder that Widow was the only one of the original cast of Avengers whose experience in the final movie largely consisted of suffering. Not everyone on the team received a happy ending, but all of the other members of the team experienced a moment of narrative closure that felt satisfying – from Captain America’s decision to retire and reunite with his old love to Hawkeye’s reunion with his family, Thor’s alliance with the Guardians of the Galaxy and even Iron Man’s opportunity to have five years with his wife and daughter before the team reunited.
A story with high stakes is less effective if everyone makes it out unscathed. Someone had to fall short and narrowly miss closure and it couldn’t be Captain America, Thor, Iron Man or the Hulk. It could have been Hawkeye, but the loss would’ve had less impact, as it would have if the victim was someone who wasn’t a part of the team introduced in the first Avengers movie. Endgame is the last film in a cycle, and it was only fitting that the focus was on completing narrative arcs introduced in the first phase of the Marvel Cinematic Universe. The end of this story needed a sacrifice and the sacrifice needed to be one of the original Avengers, a person who was both important to the team and story and less important to the marketplace. It had to be Black Widow.